Sunday, November 30, 2008

Wise Trail Stopper by Justin Hoffman

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Wise Trail Stopper
by Justin Hoffman


Katy Chaser leaned against the side of the Union Pacific engine. The only light was that of the moon, which shined down as if a spotlight onto Katy Chaser and his glorious buffalo kill. He was the lone being, just the way he liked it. No one else could be trusted to keep this mission a secret. If his mother and father heard Katy Chaser was up to grandpa’s old tricks, he would likely be sent away to the white man’s school again. School wasn’t for him; his grandpa, Wise Trail Stopper, had taught him all he needed to know.

“Reading, writing is for white fools,” Grandpa used to say with Katy Chaser perched on his kneebefore the camp fire. When he was young, his grandpa filled his mind with stories from when he was a boy.

He gave Katy Chaser his ceremonial name, even though his parents protested against the traditional teachings. They would drive into the hills together, where grandpa could tell him whatever he wished. “Don’t forget your past. Past is all we have now.”

“Hold it right there!” someone yelled at Katy Chaser.

He took up his bow and strung an arrow. His first and middle fingers held the arrow perfectly still while he drew the bow back. He flared his nostrils and sniffed the warm desert night air.

“I said. Hold it right there!” the voice repeated loudly.

Katy Chaser squinted and searched for the white man’s outline. He could smell him but not see him.

“I claim this iron buffalo in the name of the Tranobie tribe.”

“You’ve got to be kidding,” another voice faintly drifted to him.

“Come on, put down the weapon!” the first voice commanded. “Surrender. You are surrounded.”

“I am Katy Chaser, brave Tranobie warrior. I will die before I surrender.”

“Okay, kid. Whatever you want. We’ll shoot.”

He heard the kick of the sandy dirt almost straight ahead, just a little to the left, perhaps twenty feet away. He pointed the arrow at the noise. “I can see you now,” he bluffed.

“Put the weapon down, kid. Or we’ll shoot!”

“I won’t surrender. I am a brave Tranobie warrior.”

“I am Officer Paul. We just have to ask you some questions about the train.” The police officer joined Katy Chaser in the moon light, with his gun pointed at the warrior.

Katy Chaser pulled his elbow back farther; the arrow tip almost on the concave side of the bow. This startled Paul, and he shot the warrior twice. Once through the wrist of his aiming left arm and the other through his drawing hand. The arrow and bow fell to the ground. Paul holstered his gun and cuffed Katy Chaser before the other officers left their hiding spots.

“Why did you not kill me?” the warrior asked.

“Huh?” Paul asked, as he pushed his captive towards a police car.

“I cannot face my tribe again. I have been shamed as a prisoner.”

“Yeah, okay, son. You’re gonna get treatment at the hospital and then you’ll be jailed for hijacking a freight train. How old are you?” Paul held his head under the door frame.

“I have been a warrior for one year. I am seventeen now.”

“You got some parents?” the officer asked as they drove to the hospital.

“Yeah. Lauren and Steve Peterson.”

“Your name?”

“Katy Chaser.”

“Your real name, not your tribe name.”

“Ken.”

“Ok. Another officer will stay with you here and bring you to the station when you’re fixed up.”Paul smiled.

Katy Chaser sat on the thin fluff, referred to as a mattress by the deputy, wondering what the tribe would do after they learned of his capture. Wise Trail Stopper had once been taken prisoner early in his life, too. He often stopped the wagons full of settlers from reaching the west coast. The explorers all stopped when they reached Tranobie land, or diverted some way to the north or south at the eastern most borders. He had been a legend among the white men known as the Hatchet Man, because he would throw a hatchet into the side of the wagon as a warning when it crossed the invisible border.

In an effort to begin a Spanish city in the then beautiful Los Angeles valley basin, a troop of Spanish soldiers managed to ambush Wise Trail Stopper and capture him. The Tranobie were sent a letter of blackmail, demanding the valley. The tribe refused and sent a raiding party to free him. The small battalion of Spanish soldiers and settlers were murdered by the Tranobie warriors, and Wise Trail Stopper was returned home safely. One soldier was sent back to Mexico to tell the Spanish of the terrible massacre and to warn them to never return. Thus, the valley was named, the angels, for the fallen Spanish soldiers. Eventually the Spanish retaliated against the tribe and won their beloved valley. It was this story that fascinated Katy Chaser the most about his grandpa. He only wished to make his father’s father proud.

“Goddamn it boy. Why did you do this again?” his father’s voice boomed through the steel bars.

Katy Chaser shook and slowly raised his head. He looked at his father with pure hatred, but contained his anger by not speaking.

“Honey, you know you can’t do this,” his mother said sweetly.

“This isn’t, I repeat, is NOT the Wild West. Your grandfather is dead. The land has been lost. It was lost long ago.”

“But ... I ...,” Kate Chaser started unsure, but finished in one blurt of anger, “I only wanted to make him proud.” He looked at his mother, trying to plead with his eyes alone.

“Honey...” She sobbed softly, briefly, and then controlled it. “I can’t help you this time. Your father is right.”

“Just how many times did you expect us to put up with this...these forgotten Indian ways,” his father thundered.

“They’re not forgotten!” Katy Chaser stated and stood forcefully. He faced his father as a brave warrior would face his enemy. They had never gotten along. His father had been scarred by grandpa’s stories and dreams.

“You’ll understand someday. It’s all gone,” his father shook his head. “I wish it wasn’t. But it is.”

Tears made clear mounds on Katy Chaser’s lower eye lids. “Get away from me! I’ll stop a thousand trains if that’s what it takes. I’m going to make the Tranobie proud. I will prove I am a brave warrior.”

“Hi, I’m Officer Paul.” A deeply tanned hand extended toward his father. “You must be the boy’s father. Steve, it is?”

“It’s Mister Peterson.” He shook the officer’s hand twice and pulled his away to point at his wife. “My wife, Lauren.”

“Hi, Missus. Is your boy always into trouble?”

“He’s mostly a good boy.” His mother looked at him. Katy Chaser glared back at her.

“We need to keep him here over night, for observation.”

“What? Why?” she said, overwhelmed by her concern.

“For the gunshot wounds. Can’t keep him in the hospital, though. Too much chance of him running away.”

Katy Chaser studied the adults as they talked about him. His tribe was deciding his fate, but it didn’t sound promising. There was a pause as they turned to look at him. He sat back down on the bedding. He faced the cell’s back wall. There was a small window near the ceiling with five bars vertically separating the sky into orange rectangles.

The glow of the campfire shined through the barred window, creating four unique quadrangular shapes on the adobe ceiling. Wise Trail Stopper lay on the cool dirt floor listening to the partying Spanish soldiers. He wondered if he would be rescued, or if he would die a forgotten, captured warrior. The laughing and strange, wild cries stopped. He could feel a cold breeze blowing in from the ocean. He stood, stretched skyward, and grasped the bars of the window. Slowly pulling himself up, Wise Trail Stopper peered out into the night.

The fire still blazed brightly, but no one was in the light. Psing! He dropped from the window and pushed himself against the wall. A rifle was pointed through the bars. The small entry room of the prison was packed with soldiers. A few peeked through the open doorway into the darkness. Wise Trail Stopper sensed their uneasiness and felt brave because of it. He knew he was being saved. Arrows flew into the light from every direction. All the soldiers were killed except for the one sent to report to the Spanish government. Three horses were needed to pull the iron bar wall down.

“It’s up to Union Pacific if they press charges.” Paul tried to smile, but pressed his lips together when he looked at Steve. “You know, we have a program for problem children to ride around with us police once a week. Helps them stay out of trouble, and it helps us with the community.”

“I don’t think that’ll – ” His father started to say. Katy Chaser couldn’t believe what he was hearing; his mother interrupting his father.

“Steve.” Her eyes glazed over and stopped blinking. “It will be good for Kenneth.”

“Fine. If you can talk him into it, then do it.” His father turned to his mother. “We need to go, dear.”

“Yes.” She glanced at her watch. “We will be late for our dinner.”

“It kills me to watch him go through what I went through, dear,” Katy Chaser heard his father say to his wife as they walked away from the jail cell.

“Have a good evening.” Paul turned to Katy Chaser. “Hey, Ken.”

He refused to answer to that name. It wasn’t the one he had chosen.

“You want me to call you Katy Chaser, I take it?”

“Yes.”

“Do you want to do the ride along program?”

“No.”

“Hmm. I bet I can talk Union Pacific into forgetting about this if you agree to ride with me once a week.”

“No.” Katy Chaser looked at the officer. “My tribe will come for me.”

“Who is left from your tribe? Do you know anyone?” Paul challenged him.

He looked at the concrete floor and chewed on the inside of his lower lip.

“I’m from the Tranobie. I bet you didn’t know that.”

“No,” Katy Chaser whispered, disbelievingly. He searched for some native sign on the officer’s body, in his face, and in his hair. The man’s stature didn’t fit, and neither did his face. It was fat like a white man’s. His skin though was slightly too dark, too red.

“My grandmother was Tranobie. She was captured and kept as a slave. My father was the same way as yours. He hated that he was not fully white because he grew up being hated.”

“Why are you not like me? Why do you live like a white man?”

“I didn’t want to end up on the street. That’s where you’re headed, Katy Chaser.”

“What is your Tranobie name?”

Paul smiled, showing several white teeth. “I never had one.”

“You are no Tranobie.”

“My grandmother wasn’t able to give names,” the officer pleaded.

“No.” Katy Chaser turned his back to the white man. He looked out the window, and listened for the approaching Tranobie warriors. “I am a brave Tranobie. They will come to rescue me like they came to rescue my grandpa.” He listened to the officer’s clicking shoes walk into the distance until they faded completely.

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Sunday, November 16, 2008

Waiting Life by Michael Weems

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Waiting Life
By Michael Weems


CHARACTERS

JESSICA
City girl. Honest, tired of the game.

RYAN
Hip, young executive. Sensitive and kind.


SETTING

A couch in a midtown NYC apartment.

PROPERTIES

Two drinking glasses. One remote control.



SCENE

JESSICA
In a few minutes, he’ll arrive for our date. At first I didn’t know what to expect. You try to gain as much information as possible over the music and chatter at boozy cocktail parties; or in less desirable times, over the roar of the ball game and the drunken, though not so different, revelers. You’ve got a few precious moments to assess: Teeth all there? Check. Does he have a wimpy handshake? Thank god no. Is he too well groomed? Is he actually starting to dance to the music? Is he prettier than me? Why am I at a party in Soho? All red flags, of course. Quickly you find out he is satisfactory enough in looks, odor, social graces, and conversation to warrant a phone number or a kiss. If you’re good, you can even pull a few details out of the personal file. Was that a real, bona fide laugh at something that came my way? (Deadpan) I’m not funny. Date number two. That is, if we’re counting the goodbye-Jill-have-fun-in-your-new-life-in-Indiana party, as date number one. In the less than stellar lighting of my studio apartment, I start to see him as a whole new man. His hair looks much worse now. It’s too short. I pray I made the right decision. Suppose we run out of conversation! We won’t have the idle party goers passing by or interrupting our talks to fill voids. I guess we can just start to make out if that happens. (Ryan enters and closes the door behind him) When he walks in the door, he locks it behind him immediately, like an intruder is 5 steps behind him. I greet him. We kissed once already but what’s the expectation here? (He leans in and kisses her once. She is a bit happily flustered) Well, there we go. He doesn’t seem to like standing. He instinctively seems to know which side of the couch is mine and within a few moments will be sitting there. I want him to be comfortable. The top button comes undone, he loosens his tie, but his shirt remains tucked in and his shoes stay on. I take his tie off for him and fold it nicely. I think it’s expensive. Tonight he surprises me with takeout from a nice sushi place. I really have no idea how he knows what I would’ve ordered, but somehow he gets it right. Later, things change. You settle in to this lifestyle. You have a choice to either acclimate or deny this person. Soon, he might even leave the door open a few moments as he enters. I worry that I might like him too much already. (She sighs) Who knows? Maybe he’ll even be ‘the one.’ (She turns to him) Scotch? No, wait! Gin. How could I forget? (She exits to get his drink)

RYAN
Thanks doll! (To audience) It’s scotch actually. I know what you’re thinking. Let me fill you on a few life lessons from six years, nine months, and fifteen days in the city dating life. First, all women eat sushi. The more obscure the restaurants, the better off you are. Women aren’t a huge challenge in terms of general interests. I don’t mean this in a sexist way, but if you stick with shoes, Disney, chocolate, and dancing, you simply cannot go wrong. Doesn’t matter if you have two left feet, get the worst tripe that old Walt ever produced, and the chocolates not her favorite. Next, chivalry isn’t dead. Smile, ask questions, make them feel intelligent, make their job sound impressive and possibly beneath them. Hold the door, but don’t make them out to be physically inept. They know you’re going to want sex, so don’t pretend you’re this celibate being, strictly satiated by a hug at the end of the night. Be upfront, but not pushy. And yes, as awkward as I may look in the non-bar, non-alcohol-induced setting, she looks the same. Crows feet, white hairs, maybe a little less make up - all of these will smack you in the face and your job is not to notice. You accept these things just as you know she will for you. Second date. Her place. It’s not a mystery. I lock the door because this is friggin’ New York. I don’t take my shoes off because I’ve been working ten hours and they smell like death. I will eventually, but until then, you take it date by date. Soon you cross that magical line, where after you’ve slept together, or taken your shoes off in this scenario, you enter into ‘seeing each other,’ then ‘dating,’ and finally ‘in a relationship.’ It takes a while but you hope she’s the one who, whether or not she notices these imperfections in you, accepts them or makes them into her vision of you. (Jessica enters with drinks for both of them and sits) I believe that people truly want to settle. Playing the game, or keeping yourself available is just a facade that helps them feel young and avoid connecting to something that might end in either unhappiness or hurt. No one needs to see a late 40s playboy cruising in too tight clothes. Unless you’re a financial executive, a doctor, a lawyer, or a professional ballplayer, either settle down and have a family and a home, or hang up your hat somewhere in that magical single land where comfort and love are supposed to be equal to their next conquest. I can’t blame anyone for wanting to avoid that fear of hurt or rejection, but you have to live. (He sits next to her and Jessica cuddles into him. He speaks to JESSICA) My name is Ryan. I’m turning 33 this May, I have a widow’s peak, graying hair, smelly feet, I secretly play the air guitar to ’90s progressive rock, and I might just love you.

JESSICA
(To Ryan) My name is Jessica. I’m turning 35, again, this August. I tell everyone I run two more miles per day than I really do, I need complete pitch darkness to sleep, and I collect anything I can find about ballerinas. And I think you’re wonderful. (They kiss. He hands her a DVD. She laughs happily) Lady and the Tramp!? (She stands and picks up the remote. She hands it to him and takes off his shoes. He starts to protest) I don’t care.

(She tosses the shoes off to the side and cuddles into him)

(Sweet and flirty) Stay awhile.


THE END


* * * * * * * * * * * * * * * * * * * * *

Michael Weems is a NYC based playwright/writer/actor and Lyndon State College graduate. Recent writing credits: Fragments (Little Hibiscus Productions and Festival 56, Chicago); Burden Me (Phare Play Productions); Onward, Forward (Little Hibiscus Productions) and the publication of Love Me, As Well (Eye Gone Black Literary Journal).

He divides his free time between getting ridiculously lost in Central Park, physically threatening the Wii Fit, verbally threatening international punks on pokerstars.net who go all in pre-flop, and watching painfully addicting children’s television with his son. He sends thanks to his loves, Christine and Thomas.


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Sunday, November 02, 2008

Two Drops of Sea

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Two Drops of Sea
by Judith Goudsmit


She didn’t do these kinds of things often: stretching out on a sofa, pretending to be comfortable, legs a little spread, head tilted as if she was dropped from an airplane and just happened to have landed in this position, as if no single thought had gone into it, casually holding a cigarette between her slightly spread fingers, her elbow resting on someone's skateboard. It had taken her at least ten minutes before she dared to sit down, before she had decided exactly where she would place each limb, like puzzle pieces that wouldnt make sense anywhere else. And now that she was seated she hadn’t moved for exactly sixteen minutes and fourty-five seconds.

Beer cans were being opened, cigarettes were blazing, moving around the room like fireflies, windows were opened and then closed again seconds later after a dress had been covered in flying ash, people were smiling, attempting to look interested, while other people pretended to be interesting, explaining their latest art installation consisting of vintage t-shirts covered with semen and cocaine segments, and an empty shoe and ashtray danced a sad dance between two people stumbling into an embrace.

She breathed in and out, slowly, and wondered if there was an allotted time for people to stretch out on a sofa that wasn’t their own without anyone’s particular company. She guessed thirty minutes was the absolute maximum, but thought that maybe in a situation like this, at some apartment somewhere, closer to morning than midnight, more strangers than acquaintances, maybe they could let some minutes slide. The truth was she didn’t like parties, or conversations, or new people, or uncomfortable silences, or warm beer, or people courting, or people embracing, or people kissing, or people commenting on outfits without looking, or sunglasses inside, or big sunglasses of any kind, or impossible stilettos, or people looking across the room, or people looking without looking, or people tripping, or people talking and laughing or people who genuinely seemed happy. About something. Or nothing.

She had read somewhere that nobody wants to talk to an angry face.

She smiled or attempted to look open, gentle, clear, or at least like someone you can be comfortable with, who you can talk to if there is really nobody else you could possible share any interesting topic with. She would be there for that person. For that person aimlessly walking around the room hoping someone would bump into him, or step on him or comment on his carefully destroyed t-shirt in order to start a conversation. She would be there, waiting.

She had read somewhere that finding a man after you turned thirty-five was like winning the lottery.

Two feet were walking her way. Two feet, ten toes, ten nails walking her way. He also had two calves, two knees, hips, a stomach, and there she stopped. So far so good, she thought, so far so good. She sat up a little and adjusted her hands. He had two arms. “Thank god for arms,” she thought. He moved closer and she could make out strong veins on his arms, veins like an athlete or a good dad or a fighter. “Veins,” she thought and repeated it a couple times in her head hoping she didn’t have to look up yet. But there was no need; he sat down.

He asked her name, she told him, asked for his, he told her, and there was an instant of silence. Nobody would have noticed it, it was the length of a breath or a clap, but for her it was an ocean, a big pool of water you could swim dozens of laps in, and then get out and dive in again, before it was over.

She had read somewhere that more than half of all conversations consist of body language, not words.

He asked her some questions, which she knew the answer to although she suddenly doubted her answers, as if maybe where she came from had changed, as if where she went to school had been some strange dream she had just woken up from. But she breathed and he still sat there, legs a little parted, hand lost in the little room between them, like a little pet that couldn't choose between his parents. They talked some more, she asked some questions, he answered them, and suddenly it was easy. Words came and went like a soft wind calmly flowing between them.

He asked her if she had ever thought why people talk the way they talk. And it was funny, because in fact she had. Many times. The way people converse had always been a riddle for her which she never quite found the answer to. He wondered out loud if it would be possible to talk in “things” rather than sentences, or words, or sayings. She wondered with him.

"Like for instance,” he said, “what if I said ‘five hundred eggs’ and that would mean ‘hey how are you,' or ‘I put all your black socks in the washing machine.’ “

She laughed. “That would be nice,” she said, “I would like that.”

"Let’s go,” he said. For a second she meant outside, away, somewhere else. But he meant let’s go there, let’s go there, where people talk in “things.”

"Two grains of sand,” she said. She liked the feeling of warm sand between her toes, especially if they had red nail polish on them, and the sand was fine and filled with pieces of shell.

He answered with “two cups of black coffee with some milk.” She smiled, because she liked her coffee with milk too.

"Five hundred red tablecloths.”

"Two blue balloons.”

"Three cartwheels and a big sunflower.”

"A dark blue fountain pen and seven unpaid telephone bills.”

"A gummy bear and a slither of sadness.”

She wanted to stop him, and tell him that didn’t count because sadness wasn’t a thing, but then she didn’t because maybe it was. She grabbed his hand instead and touched his veins. They sat there for a while and said nothing. They had said most things already anyway.

Some people had fallen asleep, their mouths parted, cigarettes still burning; some people had left hastily as if they suddenly realized they had a dentist appointment; others were still talking, sniffing the last bit of cocaine, smoking the last bud of weed, drinking the last cheap beers, emptying already empty bottles, inhaling the last oxygen in the room, finding the last listener, taking in the last moments of a night that had already passed, finding the last one standing, maybe for a talk, maybe for a fuck, or just to acknowledge that they weren’t alone, not yet.

And they sat there still, she wanted to tell him “a basket of painted eggshells,” but she didn’t. Someone tripped over her bag, someone vomited in the bathroom, someone mumbled a song, an old song, a sad song, someone’s nose was bleeding, someone danced, alone, someone asked for directions, to the next party, the next morning, the next love song, the next heartfelt conversation, the next happiness, and they sat, in the middle.

"He has hands,” she thought, “he has legs, long ones, he has lashes, a nose, he has a mouth.”

"And his face,” she thought, “his face.” She looked. She was wondering if there was an allotted time to sit with someone on a couch that wasn’t your own, not saying anything.

Someone told them they had to leave. “Two bottles of aftershave,” he answered. She smiled. They walked together, on the street, to her house, or his; there was no one else, on the street, in their city.

"Two moons,” she said.

"Two stars,” he said.

"Two Plutos.”

"Two faces.”

"Two mouths,” he said.

And she said nothing.


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Judith Goudsmit is a playwright from Holland. She has a BFA from NYU and is working on her masters in playwriting at the New School in September.

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